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Many composers have written music for \"prepared\" piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription \"...but sooner or later we live forever\" - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it.\u003cbr\u003e","image":"http://www.biblionet.gr/images/covers/b179563.jpg","isbn":"979-0-69151-015-5","isbn13":"979-0-69151-015-5","ismn":null,"issn":null,"series":{"id":10073,"name":"Works of Greek Composers","books_count":155,"tsearch_vector":"'composers' 'greek' 'of' 'works'","created_at":"2017-04-13T02:24:56.955+03:00","updated_at":"2017-04-13T02:24:56.955+03:00"},"pages":8,"publication_year":2002,"publication_place":"Αθήνα","price":"7.0","price_updated_at":"2012-05-21","cover_type":"Μαλακό εξώφυλλο","availability":"Κυκλοφορεί","format":"Βιβλίο","original_language":null,"original_title":null,"publisher_id":418,"extra":null,"biblionet_id":179563,"url":"https://bibliography.gr/books/nadir.json"},{"id":176443,"title":"Hope","subtitle":"For Soprano and Piano: Poem by Emil Dickinson: 1997","description":null,"image":"http://www.biblionet.gr/images/covers/b179565.jpg","isbn":"979-0-69151-014-8","isbn13":"979-0-69151-014-8","ismn":null,"issn":null,"series":{"id":10073,"name":"Works of Greek Composers","books_count":155,"tsearch_vector":"'composers' 'greek' 'of' 'works'","created_at":"2017-04-13T02:24:56.955+03:00","updated_at":"2017-04-13T02:24:56.955+03:00"},"pages":3,"publication_year":2002,"publication_place":"Αθήνα","price":"5.0","price_updated_at":"2012-05-21","cover_type":"Μαλακό εξώφυλλο","availability":"Κυκλοφορεί","format":"Βιβλίο","original_language":null,"original_title":null,"publisher_id":418,"extra":null,"biblionet_id":179565,"url":"https://bibliography.gr/books/hope.json"},{"id":177956,"title":"Seascapes","subtitle":"For Piano Solo","description":"Η σύνθεση του Δημήτρη Καψωμένου \"Θαλασσινά\" εντάσσεται στην περιγραφική προγραμματική μουσική. Ο συνθέτης περιγράφει προσωπικά του συναισθήματα και φυσικά φαινόμενα της θάλασσας, που αναφέρονται στο φανταστικό κείμενο που προηγείται της μουσικής. Αυτό το κείμενο που είναι ουσιαστικά ένα παραμύθι είναι το \"Πρόγραμμα\" που ερμηνεύει και σχολιάζει η μουσική. Το έχει γράψει ο ίδιος ο συνθέτης.\u003cbr\u003e\u003cbr\u003eΤα \"Θαλασσινά\" άρχισαν να γράφονται το 1976 στα Χανιά και ύστερα από διακοπές στο χώρο που αναφέρεται στο μύθο. Η σύνθεση αποτελείται από 14 μέρη, που συνδέονται μεταξύ τους από το ύφος και την τεχνική του συνθέτη, αλλά βέβαια από το κείμενο, όπου θα συναντήσουμε σχεδόν όλους τους τίτλους των κομματιών (μερών). 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